Showing posts with label HarperCollins. Show all posts
Showing posts with label HarperCollins. Show all posts

Saturday, June 18, 2022

✱✱Book Review✱✱ Blog Tour for Sasha Alsberg’s BREAKING TIME

BREAKING TIME By Sasha Alsberg INKYARD PRESS Young Adult Fiction/
Fantasy/ Epic/Romance

Romance, Celtic mythology, and adventure swirl together in this time travel fantasy by #1
New York Times bestselling author, booktuber, and popular Outlander social media influencer Sasha Alsberg.


Fate brought them together. Time will tear them apart.


When a mysterious Scotsman suddenly appears in the middle of the road, Klara thinks the biggest problem is whether she hit him with her car. But, as impossible as it sounds, Callum has stepped out of another time, and his arrival marks the beginning of a deadly adventure.


Klara soon learns she is the last Pillar of Time—an anchor point in the timeline of the world. After being unable to protect the previous Pillar, Callum believes he’s fated to protect her. But now a dark force is hunting the Pillars—and Klara and Callum are the only two standing in the way. They’ll have to learn to trust each other and work together…but they'll need to protect their hearts from one another if they're going to survive



Momma Says: 3 stars⭐⭐⭐
I think Breaking Time is gonna be one of those books that people will either love it or not with very little in between. I'll admit that time-travel romance can be a bit of a hit or miss with me. I tend to compare it to the one pretty much everybody knows. No matter how hard I try to avoid doing just that, it always happens. Well, this one is a lot more Outlander-similar than I would've expected. Keep in mind that it is YA, and with the writing style - mostly characters and dialogue - think Outlander for the younger teens. I'm a long way past that age, but I still like a good YA book once in a while. This one did hold my interest enough to keep me reading til the end. So, if you like time travel romance and have been looking for a young adult version, you might want to check this one out, but be prepared for some unanswered questions and a wait for a sequel.

Excerpted from BREAKING TIME by Sasha Alsberg, © 2022 by Sasha Alsberg, used with permission from Inkyard Press/HarperCollins.

Callum

1568

“Thomas!” Callum yelled as he left the pub. The wall of crisp night air dizzied him, causing him to stumble over cobblestones that seemed to shift beneath his feet. Drunken laughter muffled as the door slammed shut behind him. 

“Where the hell are ye?” he shouted. His voice echoed through the deserted streets. 

No answer came. 

Lanterns flickered along the main road, setting the heavy fog aglow. In a wee town like Rosemere, the slightest whispers could be heard a mile away. They carried farther than that, Callum knew; the windows around him were shuttered, but candles burned low just inside. How many prying eyes watched from behind the slats? How many would speak of his friend, the disgraced fighter, in hushed voices at tomorrow’s market, over bread bought with the coin they’d won betting on him mere weeks earlier?

Callum clenched his fists. The whole pub had shouted and jeered while Thomas got pummeled that night. Sounds still rang in Callum’s ears: the thud of fist and flesh, the sickening crunch of bone. It was the third time this month that Thomas had lost—only the third time, in two years of fighting.

Brice would be angry.

Master, keeper, devil, father. Brice MacDonald was all of these things to Callum and Thomas. Whatever Brice’s wrath tonight, Callum could not let Thomas face it alone. Not when Thomas had looked after Callum for so long, raised him up from a nipper as well as a real older brother would.

But he would not abandon Thomas like his mother had abandoned him.

The thought sobered Callum. He called again, lowering his voice to a taunt.

“Thomas! You owe me three shillings!” Thomas could usually be drawn out with a jab.

Callum paused, straining his ears for a response but was met with unease instead. An owl watched from its perch atop the baker’s roof, golden eyes unblinking against the dark night sky. The shining orbs fixed on him.

He tore his gaze from the bird and walked on, moving away from the firelight and into shadow.

Even more worrisome than Brice was the fact that Thomas had given Callum his most treasured item earlier that night: his notebook, small sheaths of vellum bound in leather. When he first began carrying it around, Thomas claimed to have stolen it from the apothecary when he went in for a poultice. 

He had kept it on him, always, and had never let Callum lay eyes on what was inside. Yet he had pressed it into Callum’s hand, just before the match tonight. He said something to Callum when he did, but his words were inaudible within the roar of the pub. Then after, he disappeared from the pub without even a goodbye.

Now Callum was wandering the streets, alone.

It was unlike Thomas to behave so strangely, to lose so badly. The Thomas he knew—boyish and rowdy, tough as leather but never mean—had fallen away with the autumn leaves these past months. Instead of spending evenings at The Black Hart Inn, weaving stories he’d learned as a child of selkies and sailors for red-cheeked barmaids until the sun rose, Thomas began to disappear for days, weeks at a time—stretches too long for Callum to explain to Brice. He took a beating or two for it, too. When Thomas returned, he was sullen, sometimes violent, and consumed by a strangeness Callum had no words to describe. His eyes stared but did not see, as distant as stars burning in his skull. If he spoke at all, he told tales of the demons that terrified them as children: like the Sluagh, spirits of the dead who wandered in flocks, flying around the sky like soaring reapers and stealing souls, flesh hanging off them like blackened rags. Or the bean-nighe, banshees, messengers from the Otherworld and omens of death, who lingered in lonely streams, washing the clothes of doomed men. Normally Callum heard of such dark creatures within the stories of heroes, but Thomas’s stories didn’t end in life…but death. He fixated on that fact, as if it were coming for him.

I saw her, he’d said of the bean-nighe. I refuse to die. 

It worried Callum, but just as his worry morphed into confrontation, Thomas would come back to himself. This was enough to comfort Callum as he watched Thomas return to tales of ancient heroes and kings. Maybe he accepted his relief too soon since the nights of those stories were fewer these days, and more often Thomas’s speech would turn dark again. He would speak of strange visions, of men who leaped from one world to the next.

They’re coming, Cal, you’ll see. It’s as simple as stepping through a veil.

Who’s coming, Thomas? What veil? Callum asked, and Thomas would laugh.

It was no tale that Callum knew. He’d warned Thomas not to tell it. He didn’t like the wary looks it earned him. It was one thing to be a bard who told these stories for a living, but it was another thing to speak like a madman of evil spirits and fairies as if they were tangible things away from the lyrics of a song or the pages of a book.

Callum reached the end of the main road—the turn for Kelpie’s Close. If you wanted trouble, you found it in Kelpie’s. The narrow backstreet edged Rosemere like a blade pressed against the town’s throat.

A chill clung to his skin. Here, there were no lanterns to light the way, his only guide sparse slivers of moonlight. The wind picked up suddenly, lifting his hair and reaching under his woolen cloak. He tried to shake off visions of the Sluagh hovering above him, raking their cold fingers down his neck.

“It’s as dark as the Earl of Hell’s waistcoat,” he mumbled.

Callum reached for the dirk tucked under his arm and found the carved handle concealed under layers of wool, feeling a sting of guilt. It was Thomas’s knife. Callum had slipped it away from him before the match, worried about what his friend might do in the crowded pub if he got enough drink in him. He tapped it, drawing enough strength to plunge into the darkness.

“Scunner!” he cursed, meaning it. “Where are you?”

A cry pierced the quiet.

Callum’s heart pounded as he followed the sound farther down the alley. He pulled the dirk from under his arm, certain now that he’d need to use it.

“Thomas?”

Unease, cold and metallic, crept up his spine. The alley appeared empty—strange, for this time of night—but the silence was thick, alive with a feeling Callum couldn’t name. He pushed on, deeper into the gloom. “Thomas?”

Another strangled cry, ahead.

Callum broke into a run.

A single lantern flickered a short distance away, casting a wan glow over a lone figure slumped against the wall. A sweep of red hair, bright even in the dim alley.

“Thomas, ye bastard, do ye ken what—”

The insult lodged in his throat. Thomas lay on the ground, his legs splayed at sickening angles. Blood seeped through his shirt, blooming like ink on paper. Callum rushed to his friend and knelt beside him. He dropped the dirk and pressed his hands against the deep slice that marred his friend’s torso. A knife wound.

“Dinnae fash, Thomas, dinnae fash,” Callum repeated, voice tight and panicked. He glanced up, searching for friend or foe, and found no one. “We’ll be back to the pub before Anderson kens we havna paid our tab.” 

Thomas stared up at him with glassy blue eyes. With each shuddering breath, more blood spilled through Callum’s fingers. He ripped the cloth stock from his neck and pressed the fabric onto the wound. It did little to stem the flow of blood. Within a few heartbeats, the cloth was soaked through, red and dripping.

If he pressed any harder, would it be doing more harm than good? Should he call for help, though it might draw the attacker? Callum hadn’t a clue. He wished suddenly, ferociously, that he’d had a proper mother, one whose wisdom he could call upon to calmly guide his hands. However, Thomas was the only family he had.

His only family was dying.

Thomas opened his mouth, but instead of words, a wet cough came out, splattering red across his pale face.

“Dinnae move, Thomas,” Callum shushed him. His uncertainty gave way to desperation, burst from his throat. “Help! Help us!”

His words dissolved into the night air, leaving behind only a tightness at the center of his chest. If he hadn’t taken Thomas’s dirk, he would have been able to defend himself, he wouldn’t be dying in Callum’s arms—

Thomas gasped, but it seemed as if no air reached his lungs.

Lowering his head, Callum gripped Thomas’s hands, though his own were shaking. “I will find the man who did this, I swear—”

Then the world flipped sideways. A blow had hit Callum like a runaway carriage, throwing him against the alley wall opposite Thomas.

Pain exploded along his ribs. Grasping the mossy wall for purchase, he struggled to his feet and wiped blood from his eyes, scouring the darkness for his attacker—and found no one.

“Show your face,” he growled.

A cruel whisper cut through the quiet. “Are you certain?”

The man emerged from the shadows as if he had been one with them. He wore a dark black cloak, in stark contrast to his unkempt, pale hair. Deep set in his face, a pair of amber eyes seemed to emit their own light. Callum’s gaze was drawn to a glinting shape in the man’s hand.

A dagger, dripping with blood.

Thomas’s blood.

Callum’s heart pounded like a war drum in his ears.

The man sighed. “Move along. Unless you’d like to meet the same fate as your compani—”

Callum lunged forward, cutting off the man’s speech with a guttural cry, striking with the speed of a viper.

The man ducked. He whirled around as Callum charged again. He overreached with the arc of his knife, and Callum used the moment to surge upward with a punch. His fist took the assailant in the chin—

And the force knocked Callum back.

He stared. A blow like that would have laid out the toughest fighter, yet the man stood and smiled, rubbing his chin with a gloved hand.

“I’m going to have fun with you,” the stranger whispered. “I like a man with a bit of fight in him. It’s more fun to play with your prey, don’t you think?”

Callum didn’t see the blow coming, only felt the pain searing across his temple as he was thrown to the ground again. 

He lifted his head, vision blurring. He blinked it clear, took in his friend’s ashen face. The sight flooded Callum with rage.

Whoever said to never fight with anger fueling your fists was a fool. Thomas’s best fights had been powered by emotion. Callum wasn’t fighting for money now. Or for Brice. He was fighting for Thomas. Because Thomas was—

“Stay down, little man,” the attacker’s voice hissed.

Callum dragged himself to his feet. His body, corded with muscle from a lifetime of training, screamed for him to stop. Instead he stood, swaying.

“I dinnae believe I’m going to Heaven,” Callum said, raising his fists once more, drawing strength from the familiar ache that radiated through his arms. “But I cannae wait to bring you to Hell with me.”

Lunging forward again, Callum poured everything he had into a single strike. He swung, landing the punch more out of luck than skill, half blinded by blood and dirt.

The man merely flinched, then caught Callum easily by the throat. A grin curled over his face.

How could that be possible?

“My, my, you are a feisty one,” he hissed.

The man lashed out, and pain flared along Callum’s torso. He released Callum and stepped back, red-tinged silver shining in his fist.

Callum touched his side, and his fingers came away wet with blood. He watched as crimson spread across his shirt. He tried to take a step, only to crumple to the ground beside Thomas, whose head rested limp against his chest.

Callum had never feared death, but now as he looked into its eyes, terror seized him. 

“Many thanks for the entertainment,” the man said.

To Callum’s horror, he bent low, holding a vial to the spreading pool of Thomas’s blood. He was gathering it.

“If you’ll excuse me, there’s one last Pillar I must find.”

Pillar?

The unearthly amber eyes melted into darkness as his opponent backed away and turned, disappearing into the shadows once more. Softly hissed words echoed in the alley. Àiteachan dìomhair, fosgailte dhomh, Àiteachan dìomhair, fosgailte dhomh…

The words the man spoke were Gaelic, but Callum’s fading mind couldn’t make out their meaning. A dark, mist-like substance rose from the ground and curled around the man’s feet, nearly indistinguishable from the dim of night. Like a sudden fog had rolled in.

Callum sputtered a curse, lacking the strength to spit. He tried to lift himself, but with each breath, pain flared in his side like a web of fire.

“I’m sorry, Thomas,” he croaked. Tears fell freely down his face, mingling with blood and sweat. He pressed his forehead against his friend’s. Grief washed over him at the still-warm press of his skin.

Thomas was gone, and Callum would soon follow.

A shiver raked his body. His eyes drifted shut.

Take me already, he pleaded to the darkness.

And the darkness answered.

No, not the darkness—Thomas’s voice, a memory now, though it was solid as stone.

“Get up, scunner.”

The warmth of the words turned electric, spreading through Callum’s body like wildfire. His eyes shot open and he gasped, breathing in a shock of cold air still sharp with the smell of blood. His fingers found the dirk he’d dropped earlier.

Grief and agony and pain and rage lifted Callum onto his feet, thrumming in him as he charged after Thomas’s murderer, knife raised and eager for flesh. He grabbed blindly, finally grasping a handful of fabric—the man’s cloak. Turning, the man’s eyes widened, making two white rings of surprise in the dark. Callum’s hand grabbed the man’s neck and aimed his dirk at the pale slash of his throat.

Suddenly, they froze. Callum could not move. His hand remained around the man’s neck, the tip of the dirk pressed against his vein. Light flowed around them. It’s not time for sunrise, he thought. Dimly, he noticed markings along the man’s collarbone. Knots carved into his skin.

The man cried out—not in pain, but in anger—but then, the cry was stifled by a rush of silence, so thick Callum thought he might drown in it. His stomach turned violently as the ground seemed to drop out from under him, forcing him to squeeze his eyes shut. He was falling, flying, falling.

I must be dead in the alley. The man must have killed me. This must be death.

A bright glow burned against his lids. He closed his eyes tighter and welcomed whatever might follow, only hoping he’d find Thomas there. A wall of light had formed above, descending as if the sun were pulling him through the sky. His body rose into its searing embrace.

He waited for the long drop to the ground, but it never came.

Callum kept soaring.

Not just through the street.

Not to death’s embrace. 

But somewhere else.

Leaping to another world, like the man in Thomas’s story, Callum thought.

So he leaped. 


Sasha Alsberg is the #1
New York Times bestselling coauthor of Zenith, the first book in The Androma Saga. When Sasha is not writing or obsessing over Scotland, she is galavanting across social media with her two dogs, Fraser & Fiona. Sasha lives in London, England.



Social Links:


Author website: https://www.sashaalsberg.com/ 

Twitter: @sashaalsberg

Instagram: @sashaalsberg

Facebook: https://www.facebook.com/sasha.alsberg 

Sunday, March 27, 2022

✱✱Book Review✱✱ Blog Tour for Jessica S. Olson’s A FORGERY OF ROSES

 

A FORGERY OF ROSES by Jessica S. Olson On sale: March 29, 2022 Inkyard Press Teen & Young Adult; Fantasy; Romance

ABOUT THE BOOK:


From the author of Sing Me Forgotten comes a lush new fantasy novel with an art-based magic system, romance, and murder…

Myra has a gift many would kidnap, blackmail, and worse to control: she’s a portrait artist whose paintings alter people’s bodies. Guarding that secret is the only way to keep her younger sister safe now that their parents are gone. But one frigid night, the governor’s wife discovers the truth and threatens to expose Myra if she does not complete a special portrait that would resurrect the governor's dead son.

Once she arrives at the legendary stone mansion, however, it becomes clear the boy’s death was no accident. A killer stalks these halls--one disturbingly obsessed with portrait magic. Desperate to get out of the manor as quickly as possible, Myra turns to the governor’s older son for help completing the painting before the secret she spent her life concealing makes her the killer’s next victim.



Momma Says: 4 stars⭐⭐⭐⭐
First, just look at the cover! If that doesn't catch your eye, I don't know what will. It practically screams fantasy and mystery to me. And the story delivers. The writing is wonderfully descriptive without being overly so, and the story is full of magic and mystery. It has a gothic feel, and I'd call it a dark fantasy with its talk of a murdered boy and bringing him back to life. Of course, this isn't the first time I've read a book with magic in art - The Picture of Dorian Gray comes to mind - but the premise here and how it's done is different than anything I've seen, which makes it all the more intriguing to me. I realize that I've been vague, but it's been quite deliberate. I don't want to give away the book's secrets, and this is one that I think should be experienced spoiler-free. I'd say if you like fantasy, this one is a must-read. It's magical, it's full of mystery and intrigue, and the writing draws you in and holds right on.

When ladyroses burn, they bleed. 

“A symbol of life,” Mother used to say when we would bend over the smoke together. 

But now, as I hold f lame to stem, as I watch hungry, glowing embers devour leaves and thorns, as f loral perfume curdles to ribbons of soot in my nose, I know she was wrong. For when the fire reaches the petals, they shrivel, curling as though in pain. And then they melt. Great fat rubies dribbling over my fingers and smattering into my bowl like gore. 

Mother called it beautiful. But now that she and Father have gone, all I see is death. 

Gritting my teeth, I tear my gaze from the slow trickle of red and try to steady the quake of my movements as I drop the scorched ladyrose stems into the trash bin and blow out my candle. Crossing to a pot of water I’ve got heating over the fire in the corner, I tip the bowl of ladyrose drippings in. 

As soon as it hits the water, the rose blood fans out, a spiderweb of shimmering scarlet veins crawling through the pot until the whole thing clouds like it’s full of sparkling garnet dust. I dip a spoon into the mixture and stir. It bubbles, smokes, and blackens.

Closing my eyes, I breathe in the sharp, cloying scent. Mother used to come home every day smelling like this—her clothes, her hair, her skin. With my head thick in a fog of exhaustion, it’s easy to allow myself to imagine she’s here next to me, chatting happily about how mixing burnt umber with ultramarine blue makes a far superior black than the tube of flat paint many artists purchase at the store. “It creates a more eye-catching hue,” I can almost hear her say. “Make the shadows breathe, Myra.”

From across the studio, the piercing laugh of my employer, portrait artist Elsie Moore, breaks through my thoughts, and I sigh as the echo of Mother’s voice fades from my mind.

How long will it be before I forget what that sounded like?

Forcing away thoughts of Mother, I continue stirring the contents of my pot. Another few minutes, and it should be ready to remove from the heat, cover, and set in a cool place to coagulate. Three days hence, the bubbling charcoal syrup will thicken into a clear jellylike substance that I’ll then transfer into tubes to stock alongside Elsie’s paints, solvents, and brushes. Ladyrose gel. A painting medium I both revere and fear.

I toss the spoon into the sink and wrap a towel around the pot. Then I hoist it to the counter beneath the window to cool and drape a cloth over its top. Satisfied, I turn to my next task of the morning: a bouquet of dirty brushes waiting to be cleaned. As I unscrew the cap from a bottle of turpentine, I let my gaze wander to where Elsie’s putting the finishing touches on a portrait of Mrs. Ramos across the room. Cadmium bright paints, eye-catching phthalo hues, and quinacridone details swirl together like smoke on Elsie’s canvas. She holds her brushes with a steady hand, chattering animatedly to Mrs. Ramos without a care in the world.

What would it be like to paint so freely? To wield a brush without the threat of magic commandeering the portrait? To give in to the high of pure creation?

Painting used to be like that for me, back before my powers sparked to life a few years ago. In those days, there was no greater ecstasy than the promise of a blank canvas and a palette full of colors. Before magic, painting was magic.

The memory of it is enough to make me weep.

I press the bristles of a filbert brush against the coil at the bottom of the jar of turpentine to loosen the oils, but when Elsie gasps, I glance back up.

“No!” She presses a dramatic hand to her heart. “Wilburt Jr.? What does he have?”

Mrs. Ramos, sitting daintily on a settee in a pale pink dress, nods, her mouth twisted in a frown. “The papers don’t say. I think it could be pneumonia, though. It’s been going around this year. Mrs. Potsworth down the street passed away from a nasty case of it not last week!”

I frown. The only Wilburt Jr. they can possibly be talking about is the governor’s son. A tall, strikingly handsome boy around my age whom I’ve only ever glimpsed at Lalverton city events.

Pursing my lips, I set aside the turpentine and dunk the brushes into the sink. Soap bubbles in my palm as I work it through the bristles, and I stare absently out the window at the snow swirling in the street and the passersby kicking through muddy slush on the sidewalk. I fall into a rhythm, imagining I’m back at the flat my family used to live in downtown. Mother is at my side in front of the kitchen sink, scrubbing burnt sienna out from underneath her fingernails. Father bustles in through the door, arms laden with bowls of leftover soups from his restaurant. My little sister, Lucy, rushes at him, asking if her pet frog can have the lobster bisque. You know it’s his favorite, Pa!

“Myra?” Elsie says behind me, and I jump, dropping the brushes, which hit the bottom of the basin with a faint series of plinks.

“Ms. Moore!” I say, looking back to where she was chatting with Mrs. Ramos earlier. I catch sight of the curly haired woman tugging a coat over her dress as she heads out the door. “You scared me.”

Elsie chuckles, thunking down another cupful of dirty brushes. “An ox could sneak up on you, dear. You spend too much time in your head.” She turns her back to me and gestures at the buttons down her spine. “Help me off with my smock, please.”

I obey. Sweat glistens on the back of her neck, dampening the gray curls that have escaped her tight bun.

“I know it’s not my place to ask questions,” the old woman continues, patting at her hair, “but…are you sleeping? How’s Lucy?”

I paste on a neutral expression and slide the smock from Elsie’s shoulders. “The same.”

She sighs. “I do wish I could help.”

The words are like a backhanded blow. I wonder what Mother would think if she heard them. Whether Father would scoff in that indignant way of his at the blatant lie.

I stare at my feet to keep from glancing at the fat amethysts drooping from Elsie’s soft white earlobes, the glitter of half a dozen gold chains around her neck, or the bulbous gems on her gnarled fingers. Any one of those sold to a jeweler would fetch the money Lucy and I need, but three months ago when I came begging Elsie for the help she claims she wishes she could give me, she balked at the idea. Said it would do me no favors to hand me a reward I didn’t earn.

I knew before I even asked her that she would say no. If there’s anything life has taught me, it’s that I can’t count on anyone but my sister. We’re all each other has. And, in the past, that would have been enough. But with Lucy’s illness having taken a turn for the worse and our funds being too meager to afford the medical care she needs, Elsie’s patronizing words about “wishing she could help” make me want to scream.

“How was Mrs. Ramos?” I ask a bit too brightly as I fold the smock into a tidy little square and set it on a pile of linens I plan to wash tomorrow.

Elsie draws the back of her hand across her brow. “She’s doing well, I think. Her son is visiting this week.”

“The senator?”

“Yes. He took her to see Governor Harris’s public address yesterday.” Her expression sours.

“And?” I ask, not sure if I want to hear any more.

“She said the governor went on for at least five minutes berating Lalverton citizens for buying paintings and thus making light of the Holy Artist’s divinity.” She huffs. “That man is never going to let it go, is he?”

I groan. “When is he going to remember he’s not a priest and that people’s worship is not actually his concern?”

“He also said allowing secular art to become such a thriving business is the reason so many painters have gone missing. He apparently thinks it’s a sign that the Artist is displeased.”

I hiss through my teeth.

Painters have been disappearing one by one over the past year, starting with my mother, and yet the governor—the man whose duty it is to protect Lalverton—has done nothing. No major investigations, no questions asked.

Because we are the scum of the earth to him. Worse, even.

It’s nothing I haven’t heard before. I used to be forced to stand by as pompous worshippers spit on my mother, accusing her of desecrating the Artist by painting for profit. I watched others cross the street when they passed Elsie’s studio, as though merely being in the presence of such heresy could taint their souls.

As the years have trickled by, though, the disdain seems to have eased up a bit. Only the most devout hold painters like Elsie and Mother in such contempt. The majority of people don’t seem to mind what we do, and in recent months, portraiture has become quite popular in Lalverton.

But anytime Governor Harris goes on one of his burn-all-the-studios-to-the-ground rampages, my heart sinks.

I want to be a painter, just like Mother was—is—but it seems that particular life will always come with a healthy measure of judgment and disgust.

Elsie drops her voice to a whisper. “My bet—and don’t you dare repeat this to a soul, dear—is that the governor is exterminating us one by one himself. Wiping us out like stink bugs under his boot.”

A jolt zaps through my body.

Elsie registers my expression. “I’m sorry,” she says quickly. “I should not have—”

“It’s fine,” I say, my voice a pitch too high as the image of my parents under Governor Harris’s boot, twitching like a pair of dead insects, makes my stomach churn.

“Besides—” Elsie flounders for words “—the fact that your father is among the missing is a testament to the fact that it’s not only painters, right?” She gives a nervous chuckle, as if such a statement should comfort me.

I stare at her.

The bell on the front door tinkles.

“Mr. Markleton!” Elsie almost shouts, diving across the room toward the short, balding merchant in the doorway in her hurry to get away from me. “Right on time, as usual!” Her voice fills the air with exaggerated cheeriness. “Come, come!” She weaves among easels stacked with paintings in varying stages of completion and directs Mr. Markleton to a cushy settee in front of one of the backdrops that line the far wall.

“Brought along this—I know how you love to keep up on the Lalverton gossip,” he says with a smile, offering Elsie a rolled-up newspaper.

“Oh, yes! I heard about Governor Harris’s son.” She nods at me to take the paper. “But I did want to read the story myself. Thank you for bringing it along.”

Mr. Markleton gives me a friendly wink as I carry the newspaper to the back table. Elsie’s careless words about the missing people, about my parents, echo ceaselessly in my head, and I try to catch my breath as a wave of nausea rolls through me.

Elsie means well, I know that. She’s always had a knack for speaking before she thinks.

And it’s not like I could ever forget my parents are missing anyway. My whole world unraveled when they vanished, and it’s only gotten harder the past few months as our bank accounts have emptied. We can scarcely afford food and rent, let alone the medical care Lucy needs now that her illness has worsened.

We had our whole lives planned out. I was to attend the Lalverton Conservatory for Music and the Arts when I turned eighteen next spring, just like Mother. I would graduate with highest marks, just like Mother. Then I would open my own studio, just like Mother did here with Elsie.

Lucy, who was only twelve when our parents disappeared, was already on track to be accepted into some of the most prestigious biology programs in the country. She planned to change the world with her discoveries. Improve the environment and save endangered animals.

But now, those plans are nothing more than dreams from another life. A memory of wishes that will never come true. I’ve spent the past several months painting portraits until dawn to build up a portfolio in hopes of securing one of the full-ride scholarships the conservatory offers, but…well. Thanks to my magic’s interference, my portfolio is meager at best. I have a better chance at winning a scholarship to the moon.

Maybe my dreams were foolish anyway. Keeping my power from being discovered in a place like the conservatory would have been difficult. I don’t know how Mother managed it.

Rubbing a fist over my aching eyes, I glance down at the newspaper in my hands. A black-and-white photograph of a square-jawed man smiles kindly back at me from the front page. Why do I recognize him?

I unfurl the paper and read the article.

The body of Frederick Bennett, who was reported missing eight years ago, was discovered in the cellar of Roderick Lowell’s home last week.

My fists tighten on the paper, crinkling it. Of course I know his face. Frederick Bennett's somber eyes have stared out from missing-person posters all over the city since I was nine years old. Mother told me she knew him from the conservatory and always wondered if he was a Prodigy like her. When he disappeared, she said she hoped he hadn’t been kidnapped and coerced into using his magic for someone cruel and desperate.

With unease stinging in my gut, I read on.

Autopsy reports reveal that the cause of death was starvation, though many lacerations, bruises, and broken bones were observed. Extensive scarring on his back and arms was noted, as well.

Lowell, a prominent stockholder in Lalverton, has declined to respond to inquiries and is being held for questioning at the Lalverton Police Station.

A roaring fills my ears, and I stumble back several steps before sinking into Elsie’s chair.

The report doesn’t say the word “Prodigy,” but it doesn’t have to.

Prodigy magic, which flows through my body just as it did through Mother’s, gives an artist the ability to alter human and animal bodies with their paintings, and it is considered by the Church to be even more of an abomination than normal portrait work. According to scripture, my very existence is a defilement of the power of our god, the Great Artist. Prodigies like us have been persecuted by the pious and captured by the greedy since the dawn of time. My head is full of the stories Mother told from her history books, the ones in which entire nations banded together to force a Prodigy to do their bidding. Where the holy priests burned them at the stake to cleanse the world of what they believed to be sinful imitation of the Artist.

As centuries have passed, the number of Prodigies in the world has dwindled—though whether it’s because their genetic lines have been killed off or because the ones who have survived have kept their powers hidden like Mother, it’s hard to say. With men like Governor Harris in charge of regions across the world, men willing to falsify charges in order to get Prodigies locked up in the name of “purifying” their streets, there’s no telling how many of us are out there, hiding.

All I know is that someone found out what Mother was, and then she and Father vanished.

Just like Frederick Bennett.

A flicker of orange flashes in the corner of my eye from the front window, and I glance up from the paper. A small red-haired woman stands outside the studio entrance with a tiny white dog in a sparkling collar tucked under one arm. She nudges the door open, sending the bell above it tinkling once again. A swirl of snow twists into the room as she slips inside, and I stifle a gasp when I catch sight of her face.

Mrs. Adelia Harris, wife to the merciless governor set on destroying every art studio in town, meets my gaze with a cold, hard stare. I tighten my grip on the newspaper.

With her husband’s reelection campaign in full swing, her son in a sickbed, and her belief that portrait art is a sin of the vilest degree, what could she possibly want with us?

Elsie catches sight of her and leaps to her feet with a gasp, knocking over her stool, which clangs against the tile.

“Hello.” Mrs. Harris’s voice is quiet. Lethal. “I’d like to get a portrait done.”


Excerpted from A Forgery of Roses by Jessica S. Olson © 2022 by Jessica S. Olson, used with permission by Inkyard Press/HarperCollins. 



Jessica S. Olson claims New Hampshire as her home but has somehow found herself in Texas, where she spends most of her time singing praises to the inventor of the air conditioner. When she's not hiding from the heat, she's corralling her four wild—but adorable—children, dreaming up stories about kissing and murder and magic, and eating peanut butter by the spoonful straight from the jar. She earned a bachelor’s in English with minors in editing and French, which essentially means she spent all of her university time reading and eating French pastries. She is the author of 
Sing Me Forgotten (2021) and A Forgery of Roses (2022).

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Author website: https://www.jessicasolson.com/ 

Twitter: https://twitter.com/jessicaolson123 

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