Showing posts with label St. Martin's Press. Show all posts
Showing posts with label St. Martin's Press. Show all posts

Saturday, November 13, 2021

✱✱Book Review✱✱Meet Me in Bombay by Jenny Ashcroft

 

All he needs is to find her. First, he must remember who she is.

Jenny Ashcroft's "Meet Me in Bombay is a powerful, poignant and deeply emotional tale of love, mystery, loss and joy." –Kate Furnivall, New York Times bestselling author

It's New Year's Eve in Bombay, 1913, and Madeline Bright, new to the sweltering heat of colonial India, is yearning for all she has left behind in England. Then, at the stroke of midnight, Maddy meets Luke Devereaux, and as the year changes so do both their lives.

Bold and charismatic, Luke opens her eyes to the wonders of Bombay, while Maddy's beauty and vivacity captures his heart. Only her mother disapproves, preferring the devoted Guy Bowen as a match for her daughter.

But while Maddy and Luke are falling in love, the world is falling apart. World War I is on the horizon, and Luke will be given no choice but to fight. They will be continents apart, separated by danger and devastating loss, but bound by Luke's promise that they will meet again in Bombay.


Momma Says: 1 star⭐

The problem with historical romance being set in real places during specific time periods is that the ugly truth of what actually went on there needs to be dealt with - not glossed over. And let's face it, history certainly has its ugly periods. This one could have been set in several other places at that time period and been okay. Or the truth of colonial India could've been dealt with properly. But then we have the story itself, and I'll just say it - I'm not sure I would've liked this one even in another setting (notice above when I said it could've been okay - not good, okay). It's hard to say for sure because so much irritated me about the setting and how it was done, but I certainly didn't all the emotion promised in the blurb. I'm afraid the best of this one lies in the cover, which is eyecatching and appealing. The rest just pales in comparison.



Friday, November 5, 2021

✱✱Book Review✱✱ Gone for Good (Detective Annalisa Vega Book 1) by Joanna Schaffhausen

 

Gone For Good is the first in a new mystery series from award-winning author Joanna Schaffhausen, featuring Detective Annalisa Vega, in which a cold case heats up.

The Lovelorn Killer murdered seven women, ritually binding them and leaving them for dead before penning them gruesome love letters in the local papers. Then he disappeared, and after twenty years with no trace of him, many believe that he’s gone for good.

Not Grace Harper. A grocery store manager by day, at night Grace uses her snooping skills as part of an amateur sleuth group. She believes the Lovelorn Killer is still living in the same neighborhoods that he hunted in, and if she can figure out how he selected his victims, she will have the key to his identity.

Detective Annalisa Vega lost someone she loved to the killer. Now she’s at a murder scene with the worst kind of déjà vu: Grace Harper lies bound and dead on the floor, surrounded by clues to the biggest murder case that Chicago homicide never solved. Annalisa has the chance to make it right and to heal her family, but first, she has to figure out what Grace knew—how to see a killer who may be standing right in front of you. This means tracing his steps back to her childhood, peering into dark corners she hadn’t acknowledged before, and learning that despite everything the killer took, she has still so much more to lose.



Momma Says: 4 stars⭐⭐⭐⭐

I started reading Joanna Schaffhausen's books with her debut, The Vanishing Season, and here we are with her fifth book and start of a brand new detective series - and I've thoroughly enjoyed every single one. This series gives us Detective Annalisa Vega and a murder that leads back to a cold case and a tragedy from Annalisa's past.
This author seems to lean toward protagonists who are broken by past trauma. Granted, Annalisa is certainly more well-rounded than Ellery Hathaway, but she still has her own issues to work on. And no, I'm not complaining, just thought it was worth noting. I evidently lean toward those broken protagonists myself because all my favorite detective series do as well. I think it adds to the personal connection and character development, so bring on the emotional turmoil.
That said, this one took a bit to get into the story and invested in the characters. Once things got going and whatever it is that makes a reader click with a character worked in me, Joanna Schaffhausen didn't let me down. The story is gritty and the path to the killer is a twisty one. Things also take a personal turn for Annalisa, and to be honest, I'm still not sure how I feel about the way this one wrapped up. That, of course, means I'm still thinking about it and mulling over all the details, the what-ifs, etc. I know I'll be very interested to see how the conclusion here affects things in book 2 of the series.
So, a new series by what has become one of my favorite authors - not a bad way to while away a weekend. And if you enjoy suspense and haven't met this author's work, what are you waiting for? 



Tuesday, December 8, 2020

✱✱Book Review✱✱ Blog Tour: Take It Back by Kia Abdullah


Take It Back Zara Kaleel #1 by Kia Abdullah



From author Kia Abdullah, Take It Back is a harrowing and twisting courtroom thriller that keeps you guessing until the last page is turned.

One victim.

Four accused.

Who is telling the truth?

Zara Kaleel, one of London's brightest legal minds, shattered the expectations placed on her by her family and forged a brilliant legal career. But her decisions came at a high cost, and now, battling her own demons, she has exchanged her high profile career for a job at a sexual assault center, helping victims who need her the most. Victims like Jodie Wolfe.

When Jodie, a sixteen-year-old girl with facial deformities, accuses four boys in her class of an unthinkable crime, the community is torn apart. After all, these four teenage defendants are from hard-working immigrant families and they all have proven alibis. Even Jodie's best friend doesn't believe her.

But Zara does—and she is determined to fight for Jodie—to find the truth in the face of public outcry. And as issues of sex, race and social justice collide, the most explosive criminal trial of the year builds to a shocking conclusion.

Early praise for Take It Back


"Riveting, thought-provoking legal thriller... Abdullah is definitely a writer to watch." - Publishers Weekly, starred review


"Abdullah has done an exemplary job of character development and is especially good at ratcheting up suspense as the trial proceeds." - Booklist, starred review


"A thought-provoking and sparklingly intelligent novel, with the welcome bonus of an unguessable ending." —The Telegraph



Momma Says: 5 stars⭐⭐⭐⭐⭐
I expected Take It Back to be a difficult read given the subject matter, but it's also downright disturbing at times. Of course, looking back on it all, there's really no other way this gritty, edge of your seat courtroom thriller could've been. Kia Abdullah doesn't shy away from the hard stuff - not even a little bit, and that hard stuff runs the gamut: rape, race, religion, societal division. Just one of those could make for a gripping courtroom drama, but all of those combined with a brilliantly told mystery, and I was reading into the wee hours of the night. I changed my mind about who did what and who was lying to whom more times than I cared to count, and even when I thought I finally had it all worked out, this author still surprised me. I enjoy a good courtroom drama or thriller, and this one is certainly that, but it's also so much more. It's a thought-provoking story and a suspense filled whodunit that I won't soon forget. The subject matter is hard to read about, and Abdullah makes it all feel real, so this one is the type of story that gets you way down in that spot - you know the one, that spot that tightens your chest and makes your heart race as your emotions run the full course and then start all over.
As much as I hate trigger warnings, this one should probably have one. There are things that some just won't be comfortable reading. That said, if you've got the stomach for it, I really can't recommend this one enough.

Author Bio


KIA ABDULLAH is an author and travel writer. She has contributed to The Guardian, BBC, Channel 4 News, and The New York Times. Kia currently travels the world as one half of the travel blog Atlas & Boots, which receives over 200,000 views per month.


Social Links:


Author Website

Instagram

Twitter @KiaAbdullah

Facebook

GoodReads



Tuesday, September 8, 2020

✸✸Book Review✸✸ The Night Swim by Megan Goldin


In The Night Swim, a new thriller from Megan Goldin, author of the “gripping and unforgettable” (Harlen Coben) The Escape Room, a true crime podcast host covering a controversial trial finds herself drawn deep into a small town’s dark past and a brutal crime that took place there years before.



Ever since her true-crime podcast became an overnight sensation and set an innocent man free, Rachel Krall has become a household name—and the last hope for people seeking justice. But she’s used to being recognized for her voice, not her face. Which makes it all the more unsettling when she finds a note on her car windshield, addressed to her, begging for help.


The new season of Rachel's podcast has brought her to a small town being torn apart by a devastating rape trial. A local golden boy, a swimmer destined for Olympic greatness, has been accused of raping the beloved granddaughter of the police chief. Under pressure to make Season 3 a success, Rachel throws herself into her investigation—but the mysterious letters keep coming. Someone is following her, and she won’t stop until Rachel finds out what happened to her sister twenty-five years ago. Officially, Jenny Stills tragically drowned, but the letters insist she was murdered—and when Rachel starts asking questions, nobody in town wants to answer. The past and present start to collide as Rachel uncovers startling connections between the two cases—and a revelation that will change the course of the trial and the lives of everyone involved.


Electrifying and propulsive, The Night Swim asks: What is the price of a reputation? Can a small town ever right the wrongs of its past? And what really happened to Jenny?


Buy Links:


Macmillan

Books-A-Million

Barnes & Noble

Amazon



Momma Says: 5 stars⭐⭐⭐⭐⭐

Megan Goldin hooked me with The Escape Room, so I was excited to read The Night Swim. And let me tell you, this author doesn't disappoint. This one is definitely a page-turner and hard to put down. When I wasn't reading it, I was thinking about it, anxious to get back to reading. Some of the subject matter was hard to read, but the story is so compelling, it's equally hard to put down. Goldin certainly knows her stuff when it comes to building tension and keeping a reader on the edge of her seat - at least that's where this reader spent a fair amount of time. Even when I figured something out ahead of a reveal, I still thoroughly enjoyed that reveal. In fact, I thoroughly enjoyed the whole book. It's wonderfully written, gripping, and impossible to put down.



Excerpt from The Night Swim by Megan Goldin

1

Hannah
It was Jenny’s death that killed my mother. Killed her as good as if she’d been shot in the chest with a twelve-gauge shotgun. The doctor said it was the cancer. But I saw the will to live drain out of her the moment the policeman knocked on our screen door.
“It’s Jenny, isn’t it?” Mom rasped, clutching the lapel of her faded dressing gown.
“Ma’am, I don’t know how to tell you other than to say it straight.” The policeman spoke in the low-pitched melancholic tone he’d used moments earlier when he’d pulled up and told me to wait in the patrol car as its siren lights painted our house streaks of red and blue.
Despite his request, I’d slipped out of the back seat and rushed to Mom’s side as she turned on the front porch light and stepped onto the stoop, dazed from being woken late at night. I hugged her withered waist as he told her what he had to say. Her body shuddered at each word.
His jaw was tight under strawberry blond stubble and his light eyes were watery by the time he was done. He was a young cop. Visibly inexperienced in dealing with tragedy. He ran his knuckles across the corners of his glistening eyes and swallowed hard.
“I’m s-s-sorry for your loss, ma’am,” he stammered when there was nothing left to say. The finality of those words would reverberate through the years that followed.
But at that moment, as the platitudes still hung in the air, we stood on the stoop, staring at each other, uncertain what to do as we contemplated the etiquette of death.
I tightened my small, girlish arms around Mom’s waist as she lurched blindly into the house. Overcome by grief. I moved along with her. My arms locked around her. My face pressed against her hollow stomach. I wouldn’t let go. I was certain that I was all that was holding her up.
She collapsed into the lumpy cushion of the armchair. Her face hidden in her clawed-up hands and her shoulders shaking from soundless sobs.
I limped to the kitchen and poured her a glass of lemonade. It was all I could think to do. In our family, lemonade was the Band-Aid to fix life’s troubles. Mom’s teeth chattered against the glass as she tilted it to her mouth. She took a sip and left the glass teetering on the worn upholstery of her armchair as she wrapped her arms around herself.
I grabbed the glass before it fell and stumbled toward the kitchen. Halfway there, I realized the policeman was still standing at the doorway. He was staring at the floor. I followed his gaze. A track of bloody footprints in the shape of my small feet was smeared across the linoleum floor.
He looked at me expectantly. It was time for me to go to the hospital like I’d agreed when I’d begged him to take me home first so that I could be with Mom when she found out about Jenny. I glared at him defiantly. I would not leave my mother alone that night. Not even to get medical treatment for the cuts on my feet. He was about to argue the point when a garbled message came through on his patrol car radio. He squatted down so that he was at the level of my eyes and told me that he’d arrange for a nurse to come to the house as soon as possible to attend to my injured feet. I watched through the mesh of the screen door as he sped away. The blare of his police siren echoed long after his car disappeared in the dark.
The nurse arrived the following morning. She wore hospital scrubs and carried an oversized medical bag. She apologized for the delay, telling me that the ER had been overwhelmed by an emergency the previous night and nobody could get away to attend to me. She sewed me up with black sutures and wrapped thick bandages around my feet. Before she left, she warned me not to walk, because the sutures would pop. She was right. They did.
Jenny was barely sixteen when she died. I was five weeks short of my tenth birthday. Old enough to know that my life would never be the same. Too young to understand why.
I never told my mother that I’d held Jenny’s cold body in my arms until police officers swarmed over her like buzzards and pulled me away. I never told her a single thing about that night. Even if I had, I doubt she would have heard. Her mind was in another place.
We buried my sister in a private funeral. The two of us and a local minister, and a couple of Mom’s old colleagues who came during their lunch break, wearing their supermarket cashier uniforms. At least they’re the ones that I remember. Maybe there were others. I can’t recall. I was so young.
The only part of the funeral that I remember clearly was Jenny’s simple coffin resting on a patch of grass alongside a freshly dug grave. I took off my hand-knitted sweater and laid it out on top of the polished casket. “Jenny will need it,” I told Mom. “It’ll be cold for her in the ground.”
We both knew how much Jenny hated the cold. On winter days when bitter drafts tore through gaps in the patched-up walls of our house, Jenny would beg Mom to move us to a place where summer never ended.
A few days after Jenny’s funeral, a stone-faced man from the police department arrived in a creased gabardine suit. He pulled a flip-top notebook from his jacket and asked me if I knew what had happened the night that Jenny died.
My eyes were downcast while I studied each errant thread in the soiled bandages wrapped around my feet. I sensed his relief when after going through the motions of asking more questions and getting no response he tucked his empty notebook into his jacket pocket and headed back to his car.
I hated myself for my stubborn silence as he drove away. Sometimes when the guilt overwhelms me, I remind myself that it was not my fault. He didn’t ask the right questions and I didn’t know how to explain things that I was too young to understand.
This year we mark a milestone. Twenty-five years since Jenny died. A quarter of a century and nothing has changed. Her death is as raw as it was the day we buried her. The only difference is that I won’t be silent anymore.


2

Rachel
A single streak of white cloud marred an otherwise perfect blue sky as Rachel Krall drove her silver SUV on a flat stretch of highway toward the Atlantic Ocean. Dead ahead on the horizon was a thin blue line. It widened as she drove closer until Rachel knew for certain that it was the sea.
Rachel glanced uneasily at the fluttering pages of the letter resting on the front passenger seat next to her as she zoomed along the right lane of the highway. She was deeply troubled by the letter. Not so much by the contents, but instead by the strange, almost sinister way the letter had been delivered earlier that morning.
After hours on the road, she’d pulled into a twenty-four-hour diner where she ordered a mug of coffee and pancakes that came covered with half-thawed blueberries and two scoops of vanilla ice cream, which she pushed to the side of her plate. The coffee was bitter, but she drank it anyway. She needed it for the caffeine, not the taste. When she finished her meal, she ordered an extra-strong iced coffee and a muffin to go in case her energy flagged on the final leg of the drive.
While waiting for her takeout order, Rachel applied eye drops to revive her tired green eyes and twisted up her shoulder-length auburn hair to get it out of her face. Rachel was tying her hair into a topknot when the waitress brought her order in a white paper bag before rushing off to serve a truck driver who was gesticulating angrily for his bill.
Rachel left a larger than necessary tip for the waitress, mostly because she felt bad at the way customers hounded the poor woman over the slow service. Not her fault, thought Rachel. She’d waitressed through college and knew how tough it was to be the only person serving tables during an unexpected rush.
By the time she pushed open the swinging doors of the restaurant, Rachel was feeling full and slightly queasy. It was bright outside and she had to shield her eyes from the sun as she headed to her car. Even before she reached it, she saw something shoved under her windshield wiper. Assuming it was an advertising flyer, Rachel abruptly pulled it off her windshield. She was about to crumple it up unread when she noticed her name had been neatly written in bold lettering: Rachel Krall (from the Guilty or Not Guilty podcast).
Rachel received thousands of emails and social media messages every week. Most were charming and friendly. Letters from fans. A few scared the hell out of her. Rachel had no idea which category the letter would fall into, but the mere fact that a stranger had recognized her and left a note addressed to her on her car made her decidedly uncomfortable.
Rachel looked around in case the person who’d left the letter was still there. Waiting. Watching her reaction. Truck drivers stood around smoking and shooting the breeze. Others checked the rigging of the loads on their trucks. Car doors slammed as motorists arrived. Engines rumbled to life as others left. Nobody paid Rachel any attention, although that did little to ease the eerie feeling she was being watched.
It was rare for Rachel to feel vulnerable. She’d been in plenty of hairy situations over the years. A month earlier, she’d spent the best part of an afternoon locked in a high-security prison cell talking to an uncuffed serial killer while police marksmen pointed automatic rifles through a hole in the ceiling in case the prisoner lunged at her during the interview. Rachel hadn’t so much as broken into a sweat the entire time. Rachel felt ridiculous that a letter left on her car had unnerved her more than a face-to-face meeting with a killer.
Deep down, Rachel knew the reason for her discomfort. She had been recognized. In public. By a stranger. That had never happened before. Rachel had worked hard to maintain her anonymity after being catapulted to fame when the first season of her podcast became a cultural sensation, spurring a wave of imitation podcasts and a national obsession with true crime.
In that first season, Rachel had uncovered fresh evidence that proved that a high school teacher had been wrongly convicted for the murder of his wife on their second honeymoon. Season 2 was even more successful when Rachel had solved a previously unsolvable cold case of a single mother of two who was bashed to death in her hair salon. By the time the season had ended, Rachel Krall had become a household name.
Despite her sudden fame, or rather because of it, she deliberately kept a low profile. Rachel’s name and broadcast voice were instantly recognizable, but people had no idea what she looked like or who she was when she went to the gym, or drank coffee at her favorite cafe, or pushed a shopping cart through her local supermarket.
The only public photos of Rachel were a series of black-and-white shots taken by her ex-husband during their short-lived marriage when she was at grad school. The photos barely resembled her anymore, maybe because of the camera angle, or the monochrome hues, or perhaps because her face had become more defined as she entered her thirties.
In the early days, before the podcast had taken off, they’d received their first media request for a photograph of Rachel to run alongside an article on the podcast’s then-cult following. It was her producer Pete’s idea to use those dated photographs. He had pointed out that reporting on true crime often attracted cranks and kooks, and even the occasional psychopath. Anonymity, they’d agreed, was Rachel’s protection. Ever since then she’d cultivated it obsessively, purposely avoiding public-speaking events and TV show appearances so that she wouldn’t be recognized in her private life.
That was why it was unfathomable to Rachel that a random stranger had recognized her well enough to leave her a personalized note at a remote highway rest area where she’d stopped on a whim. Glancing once more over her shoulder, she ripped open the envelope to read the letter inside:

Dear Rachel,
I hope you don’t mind me calling you by your first name. I feel that I know you so well.

She recoiled at the presumed intimacy of the letter. The last time she’d received fan mail in that sort of familiar tone, it was from a sexual sadist inviting her to pay a conjugal visit at his maximum-security prison.
Rachel climbed into the driver’s seat of her car and continued reading the note, which was written on paper torn from a spiral notebook.

I’m a huge fan, Rachel. I listened to every episode of your podcast. I truly believe that you are the only person who can help me. My sister Jenny was killed a long time ago. She was only sixteen. I’ve written to you twice to ask you to help me. I don’t know what I’ll do if you say no again.

Rachel turned to the last page. The letter was signed: Hannah. She had no recollection of getting Hannah’s letters, but that didn’t mean much. If letters had been sent, they would have gone to Pete or their intern, both of who vetted the flood of correspondence sent to the podcast email address. Occasionally Pete would forward a letter to Rachel to review personally.
In the early days of the podcast, Rachel had personally read all the requests for help that came from either family or friends frustrated at the lack of progress in their loved ones’ homicide investigations, or prisoners claiming innocence and begging Rachel to clear their names. She’d made a point of personally responding to each letter, usually after doing preliminary research, and often by including referrals to not-for-profit organizations that might help.
But as the requests grew exponentially, the emotional toll of desperate people begging Rachel for help overwhelmed her. She’d become the last hope of anyone who’d ever been let down by the justice system. Rachel discovered firsthand that there were a lot of them and they all wanted the same thing. They wanted Rachel to make their case the subject of the next season of her podcast, or at the very least, to use her considerable investigative skills to right their wrong.
Rachel hated that most of the time she could do nothing other than send empty words of consolation to desperate, broken people. The burden of their expectations became so crushing that Rachel almost abandoned the podcast. In the end, Pete took over reviewing all correspondence to protect Rachel and to give her time to research and report on her podcast stories.
The letter left on her windshield was the first to make it through Pete’s human firewall. This piqued Rachel’s interest, despite the nagging worry that made her double-lock her car door as she continued reading from behind the steering wheel.

It was Jenny’s death that killed my mother [the letter went on]. Killed her as good as if she’d been shot in the chest with a twelve-gauge shotgun.

Though it was late morning on a hot summer’s day and her car was heating up like an oven, Rachel felt a chill run through her.

I’ve spent my life running away from the memories. Hurting myself. And others. It took the trial in Neapolis to make me face up to my past. That is why I am writing to you, Rachel. Jenny’s killer will be there. In that town. Maybe in that courtroom. It’s time for justice to be done. You’re the only one who can help me deliver it.

The metallic crash of a minibus door being pushed open startled Rachel. She tossed the pages on the front passenger seat and hastily reversed out of the parking spot.
She was so engrossed in thinking about the letter and the mysterious way that it was delivered that she didn’t notice she had merged onto the highway and was speeding until she came out of her trancelike state and saw metal barricades whizzing past in a blur. She’d driven more than ten miles and couldn’t remember any of it. Rachel slowed down, and dialed Pete.
No answer. She put him on auto redial but gave up after the fourth attempt when he still hadn’t picked up. Ahead of her, the widening band of blue ocean on the horizon beckoned at the end of the long, flat stretch of highway. She was getting close to her destination.
Rachel looked into her rearview mirror and noticed a silver sedan on the road behind her. The license plate number looked familiar. Rachel could have sworn that she’d seen the same car before over the course of her long drive. She changed lanes. The sedan changed lanes and moved directly behind her. Rachel sped up. The car sped up. When she braked, the car did, too. Rachel dialed Pete again. Still no answer.
“Damn it, Pete.” She slammed her hands on the steering wheel.
The sedan pulled out and drove alongside her. Rachel turned her head to see the driver. The window was tinted and reflected the glare of the sun as the car sped ahead, weaving between lanes until it was lost in a sea of vehicles. Rachel slowed down as she entered traffic near a giant billboard on a grassy embankment that read: WELCOME TO NEAPOLIS. YOUR GATEWAY TO THE CRYSTAL COAST.
Neapolis was a three-hour drive north of Wilmington and well off the main interstate highway route. Rachel had never heard of the place until she’d chosen the upcoming trial there as the subject of the hotly anticipated third season of Guilty or Not Guilty.
She pulled to a stop at a red traffic light and turned on the car radio. It automatically tuned into a local station running a talkback slot in between playing old tracks of country music on a lazy Saturday morning. She surveyed the town through the glass of her dusty windshield. It had a charmless grit that she’d seen in a hundred other small towns she’d passed through over her thirty-two years. The same ubiquitous gas station signs. Fast-food stores with grimy windows. Tired shopping strips of run-down stores that had long ago lost the war with the malls.
“We have a caller on the line,” the radio host said, after the final notes of acoustic guitar had faded away. “What’s your name?”
“Dean.”
“What do you want to talk about today, Dean?”
“Everyone is so politically correct these days that nobody calls it as they see it. So I’m going to say it straight out. That trial next week is a disgrace.”
“Why do you say that?” asked the radio announcer.
“Because what the heck was that girl thinking!”
“You’re blaming the girl?”
“Hell yeah. It’s not right. A kid’s life is being ruined because a girl got drunk and did something dumb that she regretted afterward. We all regret stuff. Except we don’t try to get someone put in prison for our screw-ups.”
“The police and district attorney obviously think a crime has been committed if they’re bringing it to trial,” interrupted the host testily.
“Don’t get me wrong. I feel bad for her and all. Hell, I feel bad for everyone in this messed-up situation. But I especially feel bad for that Blair boy. Everything he worked for has gone up in smoke. And he ain’t even been found guilty yet. Fact is, this trial is a waste. It’s a waste of time. And it’s a waste of our taxes.”
“Jury selection might be over, but the trial hasn’t begun, Dean,” snapped the radio announcer. “There’s a jury of twelve fine citizens who will decide his guilt or innocence. It’s not up to us, or you, to decide.”
“Well, I sure hope that jury has their heads screwed on right, because there’s no way that anyone with a shred of good old-fashioned common sense will reach a guilty verdict. No way.”
The caller’s voice dropped out as the first notes of a hit country-western song hit the airwaves. The announcer’s voice rose over the music. “It’s just after eleven A.M. on what’s turning out to be a very humid Saturday morning in Neapolis. Everyone in town is talking about the Blair trial that starts next week. We’ll take more callers after this little tune.”

Copyright © 2020 by Megan Goldin


MEGAN GOLDIN worked as a correspondent for Reuters and other media outlets where she covered war, peace, international terrorism and financial meltdowns in the Middle East and Asia. She is now based in Melbourne, Australia where she raises three sons and is a foster mum to Labrador puppies learning to be guide dogs. The Escape Room was her debut novel.



Tuesday, August 4, 2020

✱✱Book Review✱✱ Blog Tour: PARIS NEVER LEAVES YOU by Ellen Feldman


"Masterful. Magnificent. A passionate story of survival and a real page turner. This story will stay with me for a long time." —Heather Morris, author of The Tattooist of Auschwitz and Cilka's Journey

Living through World War II working in a Paris bookstore with her young daughter, Vivi, and fighting for her life, Charlotte is no victim, she is a survivor. But can she survive the next chapter of her life?

Alternating between wartime Paris and 1950s New York publishing, Ellen Feldman's Paris Never Leaves You is an extraordinary story of resilience, love, and impossible choices, exploring how survival never comes without a cost.

The war is over, but the past is never past.



Momma Says: 3 stars⭐⭐⭐
Paris Never Leaves You is as much historical romance as historical fiction or women's fiction, which works for this story. The storyline is emotional, and it's impossible to read about Charlotte's determination to survive and protect her daughter without feeling the emotion of the story. Ellen Feldman did a great job of showing Charlotte's survivor's guilt as well as her relationship with her daughter. The story moves between two timelines, and while the switch was sometimes a bit abrupt, both timelines were interesting. The story is easy to follow, and the characters are well-drawn and made me want to see how things would come out for them. All in all, Paris Never Leaves You is an engaging historical romance from Ellen Feldman. It's well written, and I would check out other books by this author.



Ellen Feldman, a 2009 Guggenheim fellow, is the author of Terrible Virtue, The Unwitting, Next to Love, Scottsboro (shortlisted for the Orange Prize), The Boy Who Loved Anne Frank (translated into nine languages), and Lucy. Her last novel, Terrible Virtue, was optioned by Black Bicycle for a feature film.


Excerpt

One



New York, 1954

Charlotte spotted the letter as soon as she stepped into her office. There was no reason it should have caught her eye. The desk was littered with papers and envelopes. Stacks of manuscripts and books filled the shelves of the small cubicle and spilled over onto the two chairs. Certainly the airmail envelope didn’t make it stand out. Most of the books she published were American editions of European works, and a good deal of her mail arrived in those tissue-thin blue envelopes. The only explanation for its attracting her attention was that she’d already gone through her morning mail and the afternoon delivery hadn’t yet arrived. Perhaps the letter had gone to another editor by mistake, and he or she had left it on Charlotte’s desk while she was upstairs in the art department. Or perhaps the mailroom had overlooked it in the morning sorting.

Gibbon & Field was a prestigious publishing house, but a certain loucheness lurked behind the scenes. That was the fault of Horace Field, the publisher. He was too forgiving, or perhaps only cannily manipulative. She’d had her earliest inkling of the trait the first Christmas after she’d come to work at the house. Leaving the office one evening at the same time, she and Horace had entered the elevator together to find a young man from the production depart- ment struggling to balance two or three oversize art books and several of a more conventional trim size. When he saw Horace, he colored an unhappy Christmas red.

“I see you’ve taken our ads to heart, Seth,” Horace said. “‘There’s a book for everyone on your Christmas list.’”

The young man turned a deeper red and shot out of the elevator as soon as the doors opened. That was un- usual. The staff usually deferred to Horace getting on and off elevators, and everywhere else.

“Are you going to take the books out of his salary?” she’d asked as they’d followed him across the lobby.

“Not on your life.”

“It would teach him a lesson.”

“The only lesson I want to teach him, Charlie, is to work his tail off for the greater glory of G&F.”

“And you think encouraging him to walk out the door with an armful of purloined books will do that?”

“I think the next time he asks for a raise and doesn’t get it, he’ll remember all the books he’s filched and feel guilty, or at least compensated. Same with the expense accounts the editors and travelers turn in. They think they’re stealing me blind, but a guilty conscience breeds contrition. Maybe even loyalty. They feel they owe the house something in return. That’s why I worry about you. Those expense accounts you file are a travesty. If the other editors get wind of them, they’ll never forgive you for spoiling the game.”

Horace’s philosophy permeated the entire publishing house from the grand larceny of the production depart- ment, run by a man rumored to have ties to the Mafia, to the petty pilfering and general slacking off of the mail- room. That must be why the letter had been delivered late. And the timing was the only reason she noticed it. It had nothing to do with a sixth sense, in which she defi- nitely did not believe.

She sat behind the desk and picked up the envelope. Her name and the G&F address were written, not typed. The handwriting wasn’t familiar. There was no return ad- dress on the upper left-hand corner. She turned it over. As soon as she saw the name, she realized why she hadn’t recognized the handwriting. When had they put anything in writing? No, that wasn’t true. He’d  written her once,  a year or so after the end of the war. The letter had taken months to wind its way through the Drancy records and the various agencies to reach her in New York. She’d taken solace in that. He didn’t know where she was, and he was still in Germany. She’d never answered that letter. The return address on this one was Bogotá, Colombia. So he’d got out after all. She was glad. She was also relieved. South America was still a long distance away.

What troubled her was not where he was but that now he knew where she was. She’d thought she’d been so careful. Neither her address nor her telephone num- ber was listed in the book. The people who had tried to help her settle into her new life—social workers and do- gooders from various refugee organizations; her colleagues here and at other publishing houses; Horace Field’s wife, Hannah—had found the omission foolish and antisocial. “How do you expect to make a life for yourself in a new country,” Hannah had asked, “if no one can find you?” Charlotte hadn’t argued with her. She’d merely gone on paying the small fee to be unlisted. Gradually Hannah and everyone else had stopped asking and chalked it up to what she’d been through. No one, including Hannah, knew what that was, but that didn’t stop them from speculating.

She wasn’t much easier to find in the office, though apparently he’d managed. Her name didn’t  appear  in the list of editors that ran down the left-hand side of the company stationery. Most publishing houses didn’t list editors on the stationery but that was another of Horace Field’s peculiar indulgences. A year after she’d come to work at G&F, he’d asked if she wanted to be included.

“Think of it as a sop,” he’d said.

“A sop?” She spoke four languages, could read two others, and had taken her degree at the Sorbonne in English literature, but in those days she was still having trouble with some American slang.

“Compensation for the slave wages we pay you.”

“At least you didn’t suggest I make up the difference by stealing books,” she’d said, and added that she didn’t want her name on the stationery but thanked him all the same. Nonetheless, despite her absence in the phone book and on the company stationery, her name did occasionally turn up in acknowledgments in the books she worked on. And my gratitude to Charlotte Foret for steering my vessel safely through the turbulent waters of American publishing. My thanks to Charlotte Foret, who first saw that a book about the Dutch Golden Age written by a Dutchman would appeal to American audiences. The question was how he’d managed to get his hands on a US edition in Europe, or now South America. The various consulates had libraries to spread the American gospel among the local populations, but the books she published rarely spread the American gospel. Nonetheless, he must have found one. Or else he’d tracked her down through a refugee agency. Once in America, she’d distanced herself from the émigré or immigrant or refugee—choose your term—groups, but she’d had to file the usual papers and obtain the necessary documents to get here. She was traceable.


From Paris Never Leaves You by Ellen Feldman. Copyright © 2020 by the author and reprinted by permission of St. Martin’s Griffin.



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